If you wish to sign up for a particular session, please contact Jodi Welliver to determine if there is an opening and insure that you are placed on the list and receive any workshop instructions. Registration in also available at each Guild meeting. Please note that your spot is not secure until your non-refundable deposit of $75 has been received. Deposits may be mailed to the Guild, PO Box 795, Coupeville, WA 98239
Non-Guild members may send inquires via the form on our home page.
NOTE: By registering for a workshop, please understand that you have made a financial commitment to the entire cost of the workshop. If you cancel and you are unable to find a replacement from either, first, the waiting list, or second, your own efforts, you will still owe the Guild the remaining cost of the workshop. Fairly, as we only break-even on our workshops, this remaining amount should not be incurred by the other participants.
If anyone is interested in hosting an instructor, please contact Ann Smith. It is a great opportunity to get to know one of our wonderful visiting fiber artists and have your own private time to talk shop. The commitment involves providing overnight accommodations, all meals (including lunch for workshops) and transportation to and from the workshop. In return the Guild will provide a $40 voucher for each night's stay that can be used at any Guild workshop.
Non-Guild members may send inquires via the form on our home page.
NOTE: By registering for a workshop, please understand that you have made a financial commitment to the entire cost of the workshop. If you cancel and you are unable to find a replacement from either, first, the waiting list, or second, your own efforts, you will still owe the Guild the remaining cost of the workshop. Fairly, as we only break-even on our workshops, this remaining amount should not be incurred by the other participants.
If anyone is interested in hosting an instructor, please contact Ann Smith. It is a great opportunity to get to know one of our wonderful visiting fiber artists and have your own private time to talk shop. The commitment involves providing overnight accommodations, all meals (including lunch for workshops) and transportation to and from the workshop. In return the Guild will provide a $40 voucher for each night's stay that can be used at any Guild workshop.
NOTE: to learn the current opening of any workshop, please contact Ann Smith directly.
Workshop supply lists will be added as they are received.
Workshop supply lists will be added as they are received.
2017 Workshops
Check out the workshop descriptions below for the coming year. Registration will begin at the September meeting. If you are unable to attend this meeting registration will be available at future meetings or by sending your non-refundable $75 initial payment to the Guild. Please review our workshop policies at the top of this page, about cancellations and waitlists. I hope you find a workshop that gives an opportunity to try a new fiber adventure or add knowledge to something you already have in your repertoire.
Tom Knisely: Huck Lace with Color and Weave Effect - October 3, 4 2017 @ Pacific Rim
**Note: Members will initially be limited to ONE Tom Knisely workshop. If a class does not fill, it will be opened for all members.
Description: Huck has always been one of my favorite of weave structures. When I one day applied color and weave effects to the threading the resulting fabric was nothing less than wonderful. The patterns were bold and striking and yet still had the feeling of beautiful lace. In the workshop you will see how simple color sequencing applied to a threading such as Huck can change how you think about weaving fabric. You will ask yourself, “if this works so well for Huck, what other weave structures will benefit from color and weave”? You will receive a threading draft several weeks before the start of class. Here you will find the warp broken up into several different color sequences that when woven will knock your socks off. Dozens of fabric patterns are possible in this workshop and the final piece will look wonderful on your table or wall.
Class Limit: 14
Price: The preliminary fee is of $120 based on 10 students. The supply list will be posted when it becomes available (5/2 cotton). Your workshop spot is secured with your $75 non-refundable deposit.
Tom Knisely: Boundweave; October 6, 7, 8 2017 @ Pacific Rim - FULL Wait List Only
Description: This style of weaving has, in the past, also been known as a Saddle Blanket weave. Widely sett warps allow the weft materials to slide down and cover the warp creating a firm and thick textile that is perfect for rugs, placemats, table runners and, of course, saddle blankets. There are numerous ways to treadle this weave. We will weave a sampler using five or six commonly known ways to treadle Boundweave so that you have a clear understanding of how this weave works. We will start by weaving with just two colors and then gradually move to designs using three and four colors creating patterns that are bold and colorful with a feel of the South West.
If time permits and students are interested we can explore the Scandinavian technique known as Krokbragd on the same warp.Class Limit: 14
Price: The preliminary fee is of $175 based on 10 students. The supply list will be posted when it becomes available. Your workshop spot is secured with your $75 non-refundable deposit.
**Note: Members will initially be limited to ONE Tom Knisely workshop. If a class does not fill, it will be opened for all members.
Description: Huck has always been one of my favorite of weave structures. When I one day applied color and weave effects to the threading the resulting fabric was nothing less than wonderful. The patterns were bold and striking and yet still had the feeling of beautiful lace. In the workshop you will see how simple color sequencing applied to a threading such as Huck can change how you think about weaving fabric. You will ask yourself, “if this works so well for Huck, what other weave structures will benefit from color and weave”? You will receive a threading draft several weeks before the start of class. Here you will find the warp broken up into several different color sequences that when woven will knock your socks off. Dozens of fabric patterns are possible in this workshop and the final piece will look wonderful on your table or wall.
Class Limit: 14
Price: The preliminary fee is of $120 based on 10 students. The supply list will be posted when it becomes available (5/2 cotton). Your workshop spot is secured with your $75 non-refundable deposit.
Tom Knisely: Boundweave; October 6, 7, 8 2017 @ Pacific Rim - FULL Wait List Only
Description: This style of weaving has, in the past, also been known as a Saddle Blanket weave. Widely sett warps allow the weft materials to slide down and cover the warp creating a firm and thick textile that is perfect for rugs, placemats, table runners and, of course, saddle blankets. There are numerous ways to treadle this weave. We will weave a sampler using five or six commonly known ways to treadle Boundweave so that you have a clear understanding of how this weave works. We will start by weaving with just two colors and then gradually move to designs using three and four colors creating patterns that are bold and colorful with a feel of the South West.
If time permits and students are interested we can explore the Scandinavian technique known as Krokbragd on the same warp.Class Limit: 14
Price: The preliminary fee is of $175 based on 10 students. The supply list will be posted when it becomes available. Your workshop spot is secured with your $75 non-refundable deposit.
2018 Workshops
Martina Celerin: Dimensional Weaving; February 2, 3, 4 2018 @ Pacific NW Art Center
Description: I will introduce participants to the idea of weaving with reclaimed and recycled materials to create 3D weavings. I’m drawn to this concept not only because it removes materials from the waste stream, but also because it broadens the base of textures and structures I’m able to incorporate. My weaving style does not follow the usual rules of tapestry creation and so participants will be asked to work outside of traditional weaving conventions.
More information on Martina’s work can be found at: www.martinacelerin.com
Day 1: Weaving Using Reclaimed and Recycled Materials
We will be using simple nail looms with pick-up sticks (batons) made from paint stirrers. Participants might want either to do some sketches and/or bring weaving ideas, or to just go-with-the-flow and let their piece evolve as they are weaving it. I will be describing weaving with multiple strands of yarn, mixing yarn types and weaving with non-conventional “yarns.” I will demonstrate the Soumak weave and encourage participants to incorporate at least some of this weave structure into their pieces – so that on Day 2 we have a base for the dimensional crochet. Participants can also experiment with incorporating yarn tufts into their work, as well as weaving with wire in order to add reclaimed beads and “beads” (i.e. anything with a hole through it!) into their pieces.
Day 2: Embellishing a Weaving
We will begin the second day by introducing even more depth into the pieces by doing dimensional crochet. I will introduce the participants to additional strategies for embellishing the weavings including creating wet felted balls and noodles. Participants will be encouraged to do some wet felting using 3 different fibers (Shetland, Merino top, and Merino noils) to create simple wet felted structures that can be stitched onto their weaving creations. We will then shift to wrapping and participants will be able to create wire-enhanced yarn-covered structured that can be made into bendable solid tubes of variable diameter. Participants will also be able to embroider and stitch beads onto their weavings. Finally we will needle felt directly onto the weavings to appreciate the effect of smoothing and coating regions of the weavings.
Day 3: Needle Felting Sculptures for Weavings
The focus of this last day will be needle felting, especially as it can be used to create free-standing creatures or objects that can be incorporated into a weaving. We will begin with a wet-felted base and then use needle felting to adjust the shape. We will use dyed wools and yarns to add colour and detail to the evolving sculptures. Participants that are experienced in needle felting are welcome to make a sculpture of their choice. Newbies might want to begin with a decorative ball /ornament, while somewhat more advanced needle felters are welcome to make a whimsical turtle. I will describe and facilitate each of the projects.
Supply List: Martina will provide all supplies, but students are encouraged to bring their remnants, treasures and thrums either to use, to use up, or to share.
Class Limit: 20 Students
Price: The preliminary fee is $260 based on 12 students.
Your workshop spot is secured with your $75 non-refundable deposit.
Description: I will introduce participants to the idea of weaving with reclaimed and recycled materials to create 3D weavings. I’m drawn to this concept not only because it removes materials from the waste stream, but also because it broadens the base of textures and structures I’m able to incorporate. My weaving style does not follow the usual rules of tapestry creation and so participants will be asked to work outside of traditional weaving conventions.
More information on Martina’s work can be found at: www.martinacelerin.com
Day 1: Weaving Using Reclaimed and Recycled Materials
We will be using simple nail looms with pick-up sticks (batons) made from paint stirrers. Participants might want either to do some sketches and/or bring weaving ideas, or to just go-with-the-flow and let their piece evolve as they are weaving it. I will be describing weaving with multiple strands of yarn, mixing yarn types and weaving with non-conventional “yarns.” I will demonstrate the Soumak weave and encourage participants to incorporate at least some of this weave structure into their pieces – so that on Day 2 we have a base for the dimensional crochet. Participants can also experiment with incorporating yarn tufts into their work, as well as weaving with wire in order to add reclaimed beads and “beads” (i.e. anything with a hole through it!) into their pieces.
Day 2: Embellishing a Weaving
We will begin the second day by introducing even more depth into the pieces by doing dimensional crochet. I will introduce the participants to additional strategies for embellishing the weavings including creating wet felted balls and noodles. Participants will be encouraged to do some wet felting using 3 different fibers (Shetland, Merino top, and Merino noils) to create simple wet felted structures that can be stitched onto their weaving creations. We will then shift to wrapping and participants will be able to create wire-enhanced yarn-covered structured that can be made into bendable solid tubes of variable diameter. Participants will also be able to embroider and stitch beads onto their weavings. Finally we will needle felt directly onto the weavings to appreciate the effect of smoothing and coating regions of the weavings.
Day 3: Needle Felting Sculptures for Weavings
The focus of this last day will be needle felting, especially as it can be used to create free-standing creatures or objects that can be incorporated into a weaving. We will begin with a wet-felted base and then use needle felting to adjust the shape. We will use dyed wools and yarns to add colour and detail to the evolving sculptures. Participants that are experienced in needle felting are welcome to make a sculpture of their choice. Newbies might want to begin with a decorative ball /ornament, while somewhat more advanced needle felters are welcome to make a whimsical turtle. I will describe and facilitate each of the projects.
Supply List: Martina will provide all supplies, but students are encouraged to bring their remnants, treasures and thrums either to use, to use up, or to share.
Class Limit: 20 Students
Price: The preliminary fee is $260 based on 12 students.
Your workshop spot is secured with your $75 non-refundable deposit.
Elisabeth Hill: Deflected Doubleweave; May 4, 5, 6 @ Pacific NW Art School
Description: Mystery Weave, Deflected Double Weave, Cell Weave – it has as many names as it does possibilities according to Doramay Keasbey. In this workshop, we explore the dramatic possibilities of deflected double weave.
More information on Elisabeth’s work can be found at https://plainweave.net/
Students will be provided with an individual warp and draft for their 8 shaft looms with full instructions for warping. The students will begin class weaving their warps as-drawn-in in order to get a feel for the structure. I will then give a lecture/presentation that gives a detailed explanation of the structure with slides, drafts and many examples. Next we will experiment with the myriad variations possible on a single threading by changing our tie-up, treadling and weft colors to create a mini sampler. Finally, we will choose a tie-up treadling colorway from our sampler to weave a scarf.
Ability Level:
Able to warp a loom, change tie-up and follow a draft
Maximum Class Size: 15
Supplies, Equipment, Preparation Student Must Supply:
An 8-shaft loom, 2 shuttles, 4 bobbins, notebook/pen, scissors, tapestry needle, measuring tape. I will
send warps with full instructions, but the students must have their looms well warped and ready to
weave at the beginning of class.
Supplies, Equipment Teacher Will Provide:
A 6-yard warp for each student with a detailed draft and set of instructions for warping,
coordinating weft material and detailed handouts. I will also bring a digital projector
and many woven samples.
Price: The preliminary fee of $175 is based on 12 students.
Your workshop spot is secured with your $75 non-refundable deposit.
Description: Mystery Weave, Deflected Double Weave, Cell Weave – it has as many names as it does possibilities according to Doramay Keasbey. In this workshop, we explore the dramatic possibilities of deflected double weave.
More information on Elisabeth’s work can be found at https://plainweave.net/
Students will be provided with an individual warp and draft for their 8 shaft looms with full instructions for warping. The students will begin class weaving their warps as-drawn-in in order to get a feel for the structure. I will then give a lecture/presentation that gives a detailed explanation of the structure with slides, drafts and many examples. Next we will experiment with the myriad variations possible on a single threading by changing our tie-up, treadling and weft colors to create a mini sampler. Finally, we will choose a tie-up treadling colorway from our sampler to weave a scarf.
Ability Level:
Able to warp a loom, change tie-up and follow a draft
Maximum Class Size: 15
Supplies, Equipment, Preparation Student Must Supply:
An 8-shaft loom, 2 shuttles, 4 bobbins, notebook/pen, scissors, tapestry needle, measuring tape. I will
send warps with full instructions, but the students must have their looms well warped and ready to
weave at the beginning of class.
Supplies, Equipment Teacher Will Provide:
A 6-yard warp for each student with a detailed draft and set of instructions for warping,
coordinating weft material and detailed handouts. I will also bring a digital projector
and many woven samples.
Price: The preliminary fee of $175 is based on 12 students.
Your workshop spot is secured with your $75 non-refundable deposit.
